Books

Authors

Directory of Translators

Grants Awarded

Grants

Discover

About the Foundation

Catalogues

Contact

An selection of highlights, by genre

Discover Dutch authors, by genre

Download our publications

Discover our titles by genre

Genres

Books & Authors

Find a translator in database of accredited literary translators.

How to get accredited as a literary translator

Sign Up as a Translator

Translators

Translation Database

Find out all possibilities for financial support

An overview of recently awarded translation grants

Our work and our purpose

About translation and travel grants

Frequently Asked Questions

Our activities and projects

Programs

Who we are

Departments and staff

Our latest news

What's happening

Get in touch

Discover who we are and what we do

Her debut Habitus (2018) met with rave reviews, and was awarded the C. Buddingh’ Prize, the Herman de Coninck Prize and the Grote Poëzie Prijs.

Radna Fabias

Fabias was born on the island of Curaçao, a former Dutch colony in the Caribbean, and came to the Netherlands at the age of seventeen. Her poetry is rich with sensory detail, letting the reader see the blue of the sea and the pink and yellow of houses and churches in the Antilles. But if you immerse yourself in Fabias’ cinematic language, you also discover the other side of the idyll:‘the street kids on undersized bikes the way they dance their bikes around girls who have just started menstruating the mothers who warn about them the mothers only.’Fabias’ poetry examines the position of the migrant, shuttling between two worlds, in search of a home. This strongly composed collection looks at the fictions of her mother country and arriving at a new home, at people’s histories, mothers and fathers, but also at skin colour, stereotypes of exoticism and gender. Perhaps rather than a home, Fabias’ poetry is looking for a form of its own: the poems take on wildly divergent styles, at times reminiscent of ‘travel guides’ and theatre or film scripts, as in ‘view with a coconut (in soviet montage)’:‘the tropics paint orange-yellow a more intense orange-yellow but someone keeps calling and crying.’Fabias’ poetry gets deep under your skin; it’s sharp and visceral, exposing flesh, muscle, fear, and sensuality. It shows that identity is made up of a complex mixture of ingredients – of ‘faith, superstition, and (great) grandmotherly advice’, of experiences and preconceived notions. She cleverly plays with stereotypes and makes biting jokes:‘like many women I always knew I’d marry a man it ended up being a black man because that looked better with my dress a matter of contrast.’Fabias is already an essential voice in Dutch-language literature.

What transforms this into great poetry is its momentum and rhythm, the wealth of its images, and its nuanced vision on human existence.

Book

Poetry

Asset

Assets

Habitus

Radna Fabias (1983) spent years quietly working on her debut. When Habitus came out in early 2018, it was met with a flood of rave reviews, and Fabias wowed audiences at every poetry festival with her outstanding performance. The following year, the collection won virtually every Dutch and Flemish poetry award – from the C. Bud- dingh’ Prize for the best debut to the Herman de Coninck Prize and the Grote Poëzie Prijs. And rightly so, because Habitus is a truly bril- liant collection of poems about a woman caught between two worlds.

More Radna Fabias

Author

Privacy statement

post@letterenfonds.nl